![]() They’re a quick way of checking out variations on your image you might not have thought of yourself – or simply don’t have time to do. I like to think of them more as an ‘primer’. You are always going to have to do a BIT of work to make the images sing. Now, let me reiterate that a good Lightroom preset is never going to be a one-click solution to achieving a perfect image. Lightroom presets – what are they good for? Here’s where having some really great Lightroom presets in your armoury can really help you to achieve punchier shots and a stack of time. That ‘Auto Sync’ button will only get you so far… ![]() After all, your clients are patiently waiting and often very excited to see the end results. It’s do-able once you get into a rhythm and have your workflow perfected (I find setting myself much smaller chunks and scheduling mini breaks helps things feel a lot more achievable).īut when you have such a high volume of edits to get through on a week-by-week basis, the notion of individually working through each image from scratch, perfecting the white balance and exposure and fine-tuning curves and levels becomes massively unrealistic. ![]() It’s not unusual to have to edit 1,000+ images over the course of a week, maybe more if you’re shooting back-to-back sessions. As well as eating into precious profits, there’s something that’s never felt quite right about completely letting go of the control of how my final images will look, and how they’re presented to my clients. But, for me, it’s never felt appropriate. Sure, there are plenty of places offering post-production services and if you’re more interesting shooting and spending time in the field with your clients there’s no shame in this. No matter how many shortcuts are memorised, or workflow systems tweaked it always feels like the image-editing process is never fast enough. The season always starts with great intentions to keep on top of the workload, but it’s not very long before my left eye starts gets the overtired floating blur and RSI sets in. Working as a professional wedding photographer the “ wediting” churn throughout mid to late summer can get really overwhelming. But something’s not right and it just doesn’t have the punch you pictured when you were shooting it. Technically, your photo is sound, the exposure is spot on, the composition is solid and you’ve worked hard to get the lighting just right. Best Adobe Lightroom presets for photographers Presets are a great way to add a ‘particular look’ to your images so can save a lot of time. Lightroom is one of the most popular programs for editing images and processing your raw files. Emma Davenport rounds up some of the best options available for photographers tackling their post-processing. A great Lightroom Preset not only gives an image a new lease of life and can raise its quality to the next level, but it can also drastically speed up your workflow.
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